I first met Ahmad on a plane, mid-air between London and Osaka, when the particularly large elderly woman sitting beside him, who, like the universe, appeared to be in the throes of acute accelerating expansion, suddenly required a water closet interlude of some magnitude, mobilizing three cabin crews, and an improvised system of ropes and levers on her anti-gravitational voyage to the spatially inadequate facility, prompting Ahmad’s strategic move to the empty seat to my left.
What would have been a mere nod turned into a fateful encounter but for the appearance of three items, which he carefully carried out of a tan leather pouch: a quartz triangular prism, a beaten copy of Zelazny’s “Creatures of light and darkness”, and a femur flute.
“Believe it or not, but this prism and I used to teach geometry,” he smiled softly, preempting any line of questioning, “now the flute is teaching us everything else.”
“What’s the book for, then?” I asked, intrigued. “a test, my friend, just a test.”
It was there and then that we bonded over a handful of psychedelic peanuts and a shared appreciation of cosmic confluence. Several years and many conversations later, I am excited and humbled to present this recording, a unique document of Ahmad’s fluid explorations and singular visions.
credits
released February 3, 2018
Ahmad Ahmal: bamboo sax, bone flute, percussion, astral projections, incantations
Recorded in Stockholm, Sweden, date unknown
Processed and engineered at Black Ship, 2017
Independent cassette label operating out of Auvergne, your provider of obscure electronics, paranormal peaks, and outernational hits.
Experimental, no-fi pop, psych, ambient, drone, improvised music and field recordings.
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